My photographic, moving image and curatorial work is often concerned with the idea of rehearsal and related to hierarchies of vision, surveillance and contested territories. Insecurity examined the global phenomenon of privatised global security, utilising this modern hyper-industry as a metaphor for analysing global insecurity. Subsequent projects have included Kill House, a photographic navigation through a US based military structure used for the training of private military personnel. Super Border is a series of photographs taken along the route of the then newly opened 300 million euro External Integrated Vigilance System on the southern Andalucian coast in Spain.